Being a child of the 80s, I am, at heart, a space buff. I poured over my kids’ science magazine detailing the Space Shuttle's specifications. I was devastated when Challenger exploded in 1986 and Columbia did as well in 2003. Then when Atlantis landed for the final time in July 2011, I was saddened we had lost something as a country. Our collective drive to discover, I suppose.
Although the Apollo 13 failed lunar mission took place before I was born, I watched with fascination many years later the Ron Howard film of the same name. I knew from history that the crew lived, but I was riveted to the screen as astronauts Jim Lovell, Jack Swigert and Fred Haise scrambled to cannibalize their supplies in order to limp back safely to earth. They realized they had to give up on their dream so they could live to fly another day.
As a writer, I have discovered that the writing, pitching, publication and sales of each book seem almost as complex as a space mission. There are so many items on the checklist and if any of them go wrong, the entire project can crash and burn. For full-time writers, such failure might mean less food on the dinner table. Thankfully, that’s not the case with me.
On a recent book project, I realized I had to jettison my plans and disassemble the component parts. The manuscript, which was written as much from my heart as my imagination, was good but not good enough. I was passionate about the tale, but those I trust broke the news to me it wasn’t as well crafted as I thought. After the first person told me this, I dug in my heels and refused to listen to the sage advice for months on end. It took some deep reflection, insight received at a recent writers conference and the counsel of another close adviser before I knew for sure the project needed to be shelved.
Now, all is not lost. Parts of the book may find their way into future projects. They will need to be re-tooled to be sure, but like Lovell, Swigert and Haise, I am not willing to lose sight of the greater mission. Being a writer has never been just a passing fancy for me, so I won't end my career because of one shipwreck. I’m taking what I can from the experience and moving on.
One of the space-related groups I was part of as a teen had the following motto: ad astra per ardua (to the stars, with effort).
With a little effort, I am hoping to soar to reach my own stars.
One thing I have learned as an author is that once you have drawn readers into your type of storytelling, they are hungry for more. There is a reason John Grisham uses the same structure in most of his novels: it sells really, really well.
But sometimes as a writer you want to explore a new type of story or different genre altogether. The fear, of course, is that people won’t join you on this journey. I have a manuscript in the works that is a significant departure from my first book and I am pondering how to market the project. I even briefly thought of using a nom de plume to separate it from the sequel I also am planning to Chasing Deception.
Speaking of assumed identities, one of my favorite authors who I had a chance to meet at a writers conference a decade ago, has written a new mythic fiction book under a pen name. Revell recently sent me a complimentary, advance copy of this book, Emissary by Thomas Locke, in exchange for an honest evaluation of its merits. While I normally don’t write book reviews on my blog, I thought I would make an exception here because I admire how this award-winning author bravely is striking out in a new direction with this work, thus encouraging me to do the same.
Locke was wise to publish this title under a different name, as it is a departure from what people expect from him. His other works are distinctly Christian in nature and Emissary, while not anti-Christian, stays true to the mythic fiction genre in a way that might make his regular readers uncomfortable. In particular, there are mages who use spells to battle evil forces. While this might upset some in his traditional audience, he would not be true to the body of literature he is joining if he ignored such elements.
Having said that, I must note Emissary is quite well structured, blending character development and conflict to engage the reader throughout the tale. The work is reminiscent of Stephen Lawhead’s Pendragon Cycle in that it embraces the mythic fiction genre but avoids some of its darker elements. You may have the use of magic, but the force is more of a weapon against evil than a blueprint for the reader channeling such powers for his or her own use. There are battle sequences and a romantic subplot, but Locke refrains from the graphic narrative techniques so popular today. Game of Thrones, it is not.
In Emissary, Locke reinvents himself, writing in a grand style evocative of his earlier work. He takes us to a new land resplendent in rich detail and introduces us to flawed heroes driven to impact the world around them in a powerful and dynamic fashion. Locke dives deep into the world of mythic storytelling, creating compelling characters readers would follow on a grand quest to fight the forces of evil.
Sign me up for the next adventure!
If you’re like me, you probably have a favorite author or collection of authors you like to read. Right now I am in the middle of a series about time travel written in a style that reminds me a bit of The Hitchhikers Guide to the Galaxy. This author is well known for his mythic fiction, so this series is something different. As an established author, I imagine it was easy to sell this concept to his agent and publisher, since they both know people will pick up his work based on name recognition alone.
For those of us who are not “internationally acclaimed” authors, we have a harder time when we switch gears in our writing. This summer I was planning to write the sequel to my first novel. I had done some research and even worked out a secondary plot line with a book editor. But then I was inspired to write a practical non-fiction title that has received some early positive feedback but has put me on the hunt for a new agent because this work isn’t in his area of expertise. I am having to rebrand myself a bit and counting on the same people to buy my second book is much less of a sure thing.
The real problem comes when you start talking about my third book. Several years ago I wrote a short story that scared me so much I shoved it in a drawer for a year. It was creative, but it touched on themes that were surprising to say the least. After a writers’ conference where the keynote speaker talked about “going to the dark places” and being willing to pull our inspiration from such journeys, I retrieved the story and made it the foundation for another novel. The initial response for the piece was not as positive as was my first book, so I put it away again. I am taking it out a third time and passing it around to a couple of friends to see if these initial impressions were right or if I need to try harder to revise and sell this project.
The biggest worry I have is one of creating a consistent reader base. People who liked my first book want a sequel, which I plan to write next summer. But will these same people buy a book that is a bit experimental in both form and content? Will an agent who knows what I have written before want to take a chance on something different? Since my first work was self-published, will a traditional house be willing to make the same “gamble”, especially considering how risk-adverse the industry has become?
I don’t think publishing is a charitable pursuit, nor do I think authors should blithely ignore the conventions of branding and marketing, but if writing comes from the soul, then sometimes we need to open rooms others would leave closed and compel readers to take a look inside. For what is hidden in the secret places often reveals who we are or who we may become.
Wanna peak? I’m hoping you do.
While I may be a Southern California native, I am not, nor have I ever been, the stereotypical surfer dude. Some experiments at boogie boarding in my adolescent years is as close as I came to riding the waves. I would like to blame my flawed eyesight for this, but I suspect I also was never good at reading the signs.
Now I am trying to ride the waves again, metaphorically speaking. As a writer, I enjoyed some early success with my first book, but then there was a lull in the waves, as it were. Sales dropped off and I was left with the question of how to make them rise again. But one thing I have come to learn about the world of publishing is that it is more like a water park or swimming pool—you have to make your own waves.
So here I go with my latest attempt at boosting interest, and sales. I am distributing copies of the book strategically and the next big wave is coming: a bargain basement sale on the electronic version of Chasing Deception. While I don’t expect sales in the tens of thousands, I am learning this is a step-by-step process. We’ll see how far this wave carries me before I plan my next move. I also have two other writing projects in the works, giving me a chance to get better at making, and riding, those waves.
I've been writing stories and taking photos since I was old enough to hold a pencil and stand behind a tripod.